On his debut, Summer Fades With A Drippy Eye, Creature Comforts’ self–described rejection of musical perfection is not so much an angsty statement, but an acceptance of the absurdity of music and the artistic process.

The Endless purely seems like an outlet for Bloody Holiday’s personal musical and self exploration. There seems to be no intention of trying to impress anyone – and that’s OK.

Evaporating the busyness of his former aliases (e.g. Yllis) into ephemeral mist, W. Y. Huang’s new evocative ode displays an artist finding his way through a new uncertain future. It’s a poetic signal for a new beginning.

The lead single preceding Action Bronson’s latest album Only For Dolphins, Latin Grammys sees Bronson gracing a Latin Funk sample with solid flows, hilarious hooks, and an assured braggadocio.

Look Mexico’s Uniola takes emo/math rock by the tail and gives it a spanking new robe… that talks and cries sometimes.

John Frusciante has dropped the intense, hard-hitting electronic banger Amethblowl as the first single in anticipation of his upcoming solo album Maya which will be released this coming October.

A beautiful orchestral rendition of a standout cut on St Vincent’s MASSEDECUTION album by Yoshiki of X Japan fame.

If I Had My Way sees Osees return to the assured laid back garage-rock grooves of Smote Reverser and Face Stabber.

A review of Nuvolascura’s harrowing emoviolence.